It is still January and we have been blessed with a ton of great new music! With the increased tension across the United States (and world), I’ll start off with a couple very political songs from folks not known for their politics.
The first is “This Land” from Gary Clark Jr. Clark is known for his incredible guitar playing and his swagger, not his politics. The song and the video discuss Clark’s experiences in Trump’s America. The video is one of the most powerful I’ve ever seen. It is directed by 25 year old Savanah Leaf. I get chills every time I listen to the song or watch the video.
Las Vegas’ own The Killers are also a band not known for their politics. Singer Brandon Flowers has dabbled in his support for local candidates or issues, but those statements have been few and far between. With their newest track “Land of the Free” they take on issues like immigration and gun control. It is also the most “Springsteen-esque” I’ve heard them. The video for this song was directed by Spike Lee.
2019 has already been a banner year for one of my favorite types of music, melancholic. One band who embodies this is the appropriately named Twilight Sad. They hail from Scotland and were very close with the lead singer of Frightened Rabbit. Their newest record IT WON/T BE LIKE THIS ALL THE TIME, finds a return to the synth heavy 80’s sound that I first loved them for. I am hoping to see them on this current tour. They put on one of the most emotional shows I have ever seen. Here is “VTr”:
The Queen and King of American Sad (Phoebe Bridgers and Conor Oberst) dropped a surprise album earlier this week under the moniker Better Oblivion Community Center. They have created something truly beautiful and melancholy. I’ve listened to little else this week. Hopefully they’ll make a stop in Las Vegas if they tour. Here is “Didn’t know what I was in for”.
Anti-Folk hero Sharon Van Etten has bulldozed into 2019 with her loudest and most synth-heavy record Remind Me Tomorrow. After having a few acting roles (including in my fave The OA) and a baby, Van Etten is back with her first release in four years. The songs are much more nostalgic and hopeful than some of her previous work. I adore the new record despite it taking me a little time to get used to loud. Here is the very appropriately titled, “Comeback Kid”:
My favorite young Brit Rockers Catfish and The Bottlemen are back with the first new single “Longshot” off of their forthcoming The Balance. If you get a chance to see them, do. They will absolutely melt your face.
I look forward to even more amazing music this year…both The Head & The Heart and Grouplove should be coming out with new albums, so that alone will make this year perfect for music.
Ok, maybe you do not, but I do. As mentioned in a recent post, I’ve been listening to a lot of melancholy or “sad” music lately. Its not quite dark or emo, but its not “happy”. The exceptions have been for those bands who I’ve seen over the last few weeks.
There has been some amazing sad music come out in the last few months. One of the albums I was most looking forward to is the first release from Phoebe Bridgers, a singer-songwriter based in LA. I first heard her through a Spotify list. The song that hooked me, “Georgia” is haunting, simple and beautiful. After the release of her first album Stranger in the Alps I was able to experience more of the emotion that filled her songs. The song that first struck me (and still continues to) is “Funeral”. I quite appreciate this very understated live performance.
I’ve listened to Seattle based singer-songwriter Noah Gundersen on and off for the last few years. I first heard him as a recommendation from Spotify based upon my listening to his friend and fellow emotional singer David Ramirez. While not from his most recent release, White Noise, “First Defeat” has been a constant the last few weeks. It is another raw and heartbreaking song.
We are going to go way back with this last song. As a teenager I loved Radiohead. I loved all things BritRock. Other than electronic music and gangster rap, I was not a fan of the American drivel (my how the times have changed). Radiohead had a lot of sad songs early on and one of my favorites was “Fake Plastic Trees” from The Bends which in my opinion is the 2nd best Radiohead album. Second only to Ok Computer which defined much of my late teen years. Here is “Fake Plastic Trees”:
If you have ever read a post by me on this fine blog, you will know I like folk music and I like sad music. What happens when you combine the best of both worlds? You get bands like England’s Bear’s Den. A dear friend of mine first told me about this trio due to our shared love of all things melancholy.
There have been 3 songs that I cannot get out of my head, so I keep them playing frequently.
The first song, “Auld Wives” is off their most recent release Red Earth & Pouring Rain.
The first song I listened to from Bear’s Den was “Agape” from their first full length release Islands. This one is a little bit more folky, which is definitely what got me hooked. The word “agape” is a Greek/Christian word for love. The song may be about a person, but I like to think it is about the concept of love, especially with lyrics like this:
“So tell me how long, love, before you go, And leave me here on my own, I know that I don’t wanna know, Who I am without you”.
Finally, the third song from Bear’s Den that keeps sticking my head is “Elysium” which is also from Islands. The video has also taken on a life slightly independent of the band. You can read about the creation of the video here.
I quite like how this band uses their videos to make their songs something different. And we all know how I feel about music videos.