The Year of the Monkey

“We must let go of the life we had planned so as to have the life that is waiting for us” – Joseph Campbell

I will go with a quote and some music inspiration for this evening’s post. Which is also the first of the year. Which is terrible. @Begt and I have been slacking something fierce.

I’ve noticed that I have a new rotation of songs about every two months. I still keep some of the old ones in the mix, but, I feel like I get 3-4 bands I am obsessing over each few months. What am I going to do about that? Well, dear reader, I am going to share that music with you. This is a music blog after all.

The band that I’ve listened to the most in 2016 is not, shockingly enough, the band who I saw for my first show of 2016, The National Parks. The band I’ve listened to the most so far is the Toronto based folkpop group, The Strumbellas (sweet name, right?). I was hooked after listening to We Still Move on the Dance floors (their second release), and am eagerly awaiting their upcoming album. Here is “Spirits”, the first single (I am madly in love with this song and video).

Continuing with the folk vibes (because why the hell not?) is The Native Sibling, a sister and brother duo from Santa Cruz. I am pretty sure that The National Parks radio station on Spotify lead me to these two…and I am so glad that it did! Here is “Darkest of the Night Skies” from their release Letters Kept to Ourselves.

Because it is America and I like my folkpop, the next song is my #RepeatOne so far in February 2016. I do not know why it has taken the Lumineers this long to come out with their first single of their second album, Cleopatra, and I’ll be honest, after hearing “Ophelia”, I really do not care. This song was totally worth the wait. I do hope that by the time she reads this, @Begt will actually have listened to the song.

The next song isn’t new. But the band who is responsible for it just came out with a new record. So that counts. I am sure that I’ve never sung this next song at the top of my lungs in my car today (or really any day in the last month or so…I promise). Charlottesville, VA based bluegrass/newgrass band The Infamous Stringdusters pack a punch with “Where the Rivers Run Cold” off of their 2014 release Let it Go. The only thing missing is a mandolin. But, I will take a dobro in a song anytime its offered to me.

Switching up genres a bit for Brightside a Venice based “California Roots Rock” band. I was fortunate to see them open up for Brett Dennen late last year. As soon as they started playing their beach-vibe rock I was hooked. “Home” from West of Lincoln is definitely one of my favorites.

Going back to the folky Americana vibe, and the final song of this post, we have John Paul White, formerly of The Civil Wars, with a song called “Simple Song” from a compilation entitled Southern Family. I dearly miss the Civil Wars, but am happy that JPW is continuing to write and sing.

Well, there you have it. My first post of 2016. Enjoy the music. And to bastardize one of my favorite quotes from Maurice Moss, I’ve come here to write my first post of 2016 and drink some Scotch, and I’ve just published my post.

 

 

Check out: Caroline Rose

CarolineRosesingle_cover

I’d like to introduce you to Caroline Rose, a singer-songwriter from Burlington, Vermont. Her debut album, America Religious, was released in early July, and it was co-produced with her partner of four years Jer Coons, according to her website. The album was born on the road, out of a compilation of stories and poems written while she traveled mid-America.

Her lyrics and voice are honest, which comes as a refreshment in this age of auto-tune. The tile track is by far my favorite, but the whole album is great! “Notes Walking Home From Work” is so haunting, and “This is What Livin Feels Like” just makes me want to get out of town.

The duo has been on the road since the release of the album, playing at cafes, bars and house concerts. If you like the music, buy the album, yo! She would fit so well at the Fayetteville Roots Festival, I wish I could just get her a place in it.

Here’s “America Religious” for you:

TBT: The Giving Tree Band @ George’s, 2010

This is the first show I saw of the Giving Tree Band, after a long weekend at my first Wakarusa Festival. Enjoy:

The Giving Tree Band @ George's
Words by B “Cafe con Leche” Gutierrez. Photos by Nicole Riley.

After coming back from Wakarusa I thought I’d be OK to go without live music for a while, but after I got an update from @georgesmajestic about a no-cover Wakarusa Post-Party featuring The Giving Tree Band, I was all over it! So I called a couple of friends and headed over to George’s Majestic Lounge. I left my camera at home after being glued to it for four days straight at the festival, and keeping in mind with the 1500+ photos I had to look through and edit. So I decided to take it easy and just go for the music.

You see, that night I thought I was doing my soul a favor by not taking my camera. But I was so wrong. About two songs into their set, I knew I liked The Giving Tree Band. Two songs later, I realized I had to write a review. It all came together when I saw someone taking photos of the show, after talking to her, Nicole agreed to showcase her photos on BOT. So this is my shout-out to Nicole Riley!

The Giving Tree Band @ George's
The Giving Tree Band was one of Waka Winter Classic winner bands. They got their spot (two sets) at Wakarusa at the WWC at Kinetic Playground in Chicago. I didn’t catch them at the festival, but I heard of them and their great music. I also heard it was a big band. They all fit on the lounge stage at George’s, but barely. There are currently eight band members: Todd Fink (Banjo), Eric Fink (Guitar), Andy Goss (Guitar), Phil Roach (Violin), Erik Norman (Mandolin), Scott Woods (Slide), Justin Forsythe (Drums), and Patrick Burke (Upright Bass). All of them sing, at least that’s what I remember. There were a couple of songs where all their voices would come together to form beatlesque harmonies, and I’m thinking of “Peace on the Mountain” and “Circles” when I say this.
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