Sweet New Tunes

These last few months have already presented us with great new music and the promise of some amazing records coming out in the late summer and fall.

One of my current favorite songs is from Seattle’s The Head and The Heart . “All We Ever Knew” is the first single from the forthcoming Signs of Light. I am hoping to be able to see them in the fall as they have a couple near-ish dates.

 

Another new jam is from The Avett Brothers. “Ain’t No Man” is the first single off of their next album True Sadness. I absolutely adore this video. I already have tickets to their show here in Las Vegas in September. There is no way I would miss this show.

I really enjoy that both The Head and The Heart and The Avett Brothers have adapted their sound a bit from each of their previous records.

On a different note, I generally prefer the more upbeat songs from Nahko & Medicine for the People, but when I heard “Directions” at their show in February it quickly became one of my favorite songs from the group. At the time I didn’t realize it was off of their now just released record HOKA. I really appreciate the meaning in calling for guidance from The Great Spirit and ancestors. At their last show in Vegas, this was the song they started off with.

 

This next song has been out for a few months,  but the record it is on was just released. The song “No Good” from Kaleo is a single from their first full length record A/B. On first listen, Kaleo sounds like a American southern rock band. You can just hear Nashville or Memphis in the way their guitars sound. But that couldn’t be further from the truth. These young lads all met in school in Iceland. I had the pleasure of seeing them last year at Life Is Beautiful, and I thought they were American until the lead singer spoke.

Extreme Festival Preview

This may be the furthest in advance I’ve written a post about a festival preview. This one is different though. I am going to take the three festivals I know I am going to, and selecting a band or two from each and featuring new music (or RepeatOne’s) that they have.

Chronologically, the first festival is one that is brand new. Goosenecks Music Festival is a two day festival outside of Capitol Reef National Park. It will be my first camping festival and includes a lot of regional bands, but will be headlined by Canadian Electro-Pop band Purity Ring and SandyBeats.com favorite Young the Giant. Two of my favorite bands will be there. The appropriately named National Parks and The Colourist.

The first Goosenecks band is new to me, so I am going to feature a song that is currently my Repeat One of the week. Like many of the bands at this festival, VanLadyLove is a Utah based “folk-ish” band. The song “Neverland” is my jam.

Foreign Figures is another Utah based band who just released their first full-length LP Paradigm. The title track from that record is catchy as all get out, and they have a sound familiar to readers of SandyBeats.

 

Up next is LouFest and this will be @Begt and my 4th year at the festival. There are some great names on the lineup including country and bluegrass crossover Chris Stapleton, Greensky Bluegrass who I saw earlier this year, and one of my personal favorites St. Lucia (I am a St. Lucian). One of the bands I am most looking forward to seeing is Scottish Indie group Frightened Rabbit. They’ve been on the lineup for a lot of other festivals and I was hoping they’d hit LouFest or Life Is Beautiful. Their newest record Painting of a Panic Attack may be one of my favorite records of the year so far. The song that sticks out to me is “Get Out”.

 

Finally on the list is Life Is Beautiful. The local Las Vegas festival is back for year 4. There have been a lot of changes in the festival since last year, including the founder leaving the management team. However, the good news is it seems like the people booking bands finally discovered Folk-Pop. Which for me makes this lineup one of (if not) the strongest in the LiB history, and one of the best of festival season. With groups like Mumford & Sons, The Lumineers, The Strumbellas and The Naked and Famous (I know, not folk, but I LOVE THEM).

One of my Repeat One’s for this lineup is from Seattle based indie pop band Hey Marseilles. Their self-titled newest record contains the song that I just cannot get enough of, “Eyes on You”. The video is a bit of a trip.

 

That is just a bit of what is in store this summer. There will be more previews, so hopefully this is just the tip of the iceberg on that front.

Chance The Rapper’s Coloring Book

Chance The Rapper won my heart last year at Wakarusa, and I’ve been following him since then. So it was a huge disappointment when he released his most recent album, Coloring Book, and I didn’t have access to it. The album was released two weeks ago, and it was exclusively streaming on Apple Music.

Well, the wait is over! Head over to SoundCloud and listen. I’m already on the third listen and it’s so great. Totally lives up to the hype.

LouFest year 4 for us!


We’re excited about this year’s LouFest! The lineup was released this morning and none of our guesses for headliners were correct (we thought The Lumineers or Mumford and Sons might make an appearance in the STL fest). But we’re still happy with the lineup. I’m super excited to see Lauryn Hill and @docmurda is a St. Lucia lova, so he’s pumped about them. There is jazz, hip hop, R&B, and blues. I am down!

This is going to be our 4th year and I promise I will take better photos and post them in a timely fashion, unlike my slacking of previous years.

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David Ramirez: An Introduction

While I’ve been listening to him for a couple years now, this week I’ve really been getting acquainted with the work of Texas bred singer/songwriter David Ramirez over the last couple of weeks.  As I’ve been reading more about him, it is clear that the reasons I enjoy him are pretty widely shared by his fan base. He writes and sings about real life. Plain and simple. Each and every one of us who has lived any part of life can relate intimately to his lyrics. I’ve found many comments online about his work, but the one I keep going back to is an article published last week by Vivian Nunez, “I want the love that’s found in ‘Bad Days’  . While this specific article goes a bit deeper into the love that Ramirez discusses in “The Bad Days” it clearly illustrates the connection that a listener has to his music.

When I was thinking about writing this post, it became really difficult to choose just a few songs to feature. It changed about every day or so as I was thinking of this. So I am go with those that I am feeling today.

As referenced above, “The Bad Days”, is a song about real life love. This isn’t a fairytale love that exists in pop songs and movies:

“There are gonna be days when the love is so thin

The days are a game that we just can’t win

There are gonna be days you might want to be free

There are gonna be days that you hate me

But hold on strong

Don’t let go

We’ll carry on I know we can find a way

Cause you’re still my girl in the bad days”

These words hit me every single time I listen to this song. This is the real love. I’ve been fortunate to see this type of love in both my parents and grandparents. It’s not easy. But the good days outweigh the bad days.  I think this is why Ramirez speaks to me. He sings songs about real life.

In a similar vein, “Shoeboxes” describes finding items from a past love. There is no doubt in my mind that Ramirez has experienced this situation in order to have written these types of lyrics:  

“So I suppose you’ll be in every song I sing

If not written in my words, you’ll be hidden in these strings

Cuz how could I ever forget my first love

My first woman, first truth, first child from above

But why do I hang onto your pictures

Why have I not just thrown out that dress

Cuz it kills me to see you, but it kills me not to

It kills me to remember, oh and it kills me to forget”

I am sure there are hundreds of thousands of people who can relate to  this, but listening to this song it is like he wrote it just for me as it speaks directly to experiences I’ve also had. Ramirez writes songs that are not just his…they are also the songs of the listener.

The song “An Introduction” has the same autobiographical stance, but is different both topically and musically from the previous two songs. In this song, Ramirez is found having a spiritual crisis, which is something I would believe most of us can relate to.

“My biggest fear in the world

Is introducing myself in the grave

After all my years living free

I don’t have much to say

Oh the longer I live the more I know I’m gonna die

And the more questions I have the less I want to try

Time was winning so many times I stopped keeping score

Tell me where to find the Lord”

I’ve never been one to listen to to music and not listen to the lyrics. So perhaps that is where my mind has been it over the last couple weeks that Ramirez has been on constant rotation.