Singer Songwriter Overdrive

It is no surprise that I listen to a lot of singer songwriters. I post about a lot of them here. If you aren’t a fan of them, well, you may want to stop reading. Except you would regret not listening to these songs.

There are times when you know singers know each other, and there are other times when they use their relationship to make something incredible. Two of my favorite sad singers, Phoebe Bridgers and Noah Gunderson (who both were featured in this past post) joined forces to each perform one of their own songs with the other. The result was this beautiful “mashup” of “Killer” and “The Sound”. I’ve watched this 20 times…at least.

Two other singers who have joined forces are Welsh singer Novo Amor and English singer Ed Tullett. Novo Amor has a voice reminiscent of Bon Iver, but I think he packs more emotion. The 2017 collaboration album between these two singers, Heiress, has been getting a lot of airplay from me. One of my favorite songs off that record is “Vantablack”.

The northern Midwest is home to many amazing songwriters. S. Carey, who is a member of Bon Iver’s band, is one of them. I like to think I can hear his native Wisconsin in his music as I see pictures of cold winters and green summers when listening to his at times minimalist and other times lush sounds. His newest record, Hundred Acres, has turned into one of my favorite records so far this year. I like all the songs, but this video for “More I See” seems to show some of what I feel when listening to him.

 

Both S. Carey and Novo Amor were recommended to me (the latter being recommended by the band Paper Lights). What other singer songwriters should I be listening to?

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Cover Me Up

I am not a musician, but I feel like covers are often times the best way for one band/artist to show they have respect for another band/artist. Now that may not always be the case. My favorite cover is from Travis who covered Britney Spears’ “Baby One More Time” which is a damn revelation. But, I do not know if Travis really respects Spears, or whether or not they did at the time they did this cover (almost 20 years ago).

Sometimes, the band’s are very upfront with their love of the original song (and/or artist). The reason I decided to write this post is due to a cover released today from Manchester Orchestra  (side note: their 2017 record Black Mile to The Surface was my favorite record of the year). Today Manchester Orchestra wrote a note to their fellow southerners, Avett Brothers, about the song “No Hard Feelings”. This song has a ton of emotion as it was written after Seth Avett’s separation and divorce from his first wife. The song also plays a role in one of the more emotional moments in the very beautiful documentary May it Last. While I adore the Avett Brothers version, I love what Manchester Orchestra did with the song.

Delta Rae frequently has a cover (or two) in their live sets. Sadly, I’ve never seen my favorite cover of theirs live. Before I heard this song, I always thought that they seemed like a modern re-imagining of Fleetwood Mac. Their cover of “The Chain” seems to illustrate that pretty well.

The Cure is one of my first musical loves (still are). There are probably thousands of covers of their songs. One of my favorites is one of the newest by one of my favorite bluegrass bands, The Infamous Stringdusters. Bluegrass bands cover a lot of music. So its no surprise, but this song has been reborn in strings. I cannot listen to their version of “Just Like Heaven” enough.

Finally, The Head and The Heart seem fit for singing covers. The newest song to become a part of their set is “Don’t Dream It’s Over” originally from Crowded House. The song has some amazing harmonies between Jonathan and Charity, which make it even more perfect.

 

What are some other amazing covers?

The Woods are Calling

I am very interested in where a band or singer comes from. I think that they are ambassadors of their home, but also I think it at times can show in their music. From the more blatant (The Killers) to a more subtle approach (Trampled by Turtles). When I first listened to The Pines  I could sense their home in the music. They are from small town Iowa, but spent some time in southern Arizona before settling as a band in Minneapolis. Listening to the music its easy to pick up on the feeling of open spaces and small towns. This music feels like the north woods of the upper midwest, but also the desert expanses of the southwest. There is a melancholy in the music, and a sadness, but there is also hope.

Over the last two weeks, I think I’ve listened to their most recent album of original material, 2016’s Above The Prairie at least a few dozen times. It is difficult to not listen to the entire album in one sitting its a compelling progression of songs. There are three songs off this record that I cannot get enough of. The first is also the first song on the album “Aerial Ocean”. I love the mix of the very “country” sounding slide guitar, and the very ethereal synthesizer.

The next song is the second song off the album, “There in Spirit”. The song is haunting and reeks of a realistic despair.

The final song is the last song on the album, “Time Dreams”, which features the words and voice of John Trudell, a Native American activist, writer, and actor. There is so much beauty in this song.

 

I have listened to the other Pines albums on Spotify, but they definitely do not strike me like this one does. That is not to say that they aren’t also amazing.

 

 

 

 

 

2018 Jams…so far…

I know the year is young, but I’ve already been jamming out to some new music (and enjoying some new music videos as well).

First up is CHVRCHES with “Get Out”. The “video” is interesting, and the song is catchy as hell. I have a love hate relationship with CHVRCHES (not unlike that with The XX), but if this song is any indication, I will enjoy the forthcoming record.

 

The Decemberists are unique. They tell stories, their sound changes, but they are still such a strange and weird group. Their newest single “Severed” is a departure from their folky ways, but it is still every bit as Decemberistic(?) as every song they’ve ever released. The video is amazing, and is politically relevant, which we know I love. I cannot wait to see this band for the first time (!!!) at Innings Festival in March.

 

I’ve been enjoying English punk/folk singer Frank Turner for a few years. I’ve always enjoyed his raw sound. Despite many of his forefathers in the English punk/folk scene being explicitly political (think Billy Bragg), Turner has typically stayed away from those tones. His newest song, “1933” is very much a departure. He addresses the neo-fascist thinking that exists in our current environment while still having the typical Turner “lets go have a drink” ethos. I do quite love the statement “don’t go mistaking your house burning down for the dawn”. Such a vivid picture of our world today.

 

We all know how I feel about Moby. So it is no surprise that his newest single “Mere Anarchy” is here. The video is dark, but I think that is where Moby is (in his view on the world) at this time. If this song is any indication, I am looking forward to the new record.

2017 Top Songs

2017, like the years past, has been filled with incredible music. As it is quickly approaching the end of the year (ha, I started this post in December), I thought I’d provide a few of my favorite songs that were on albums released in 2017.

There really is no order, except for the first couple of songs which are my most listened to songs of 2017.

  1. “Afterglow” from Ásgeir – this song is magical. I cannot listen to it enough. As readers of Sandy Beats are well aware, I love Icelandic music, and the record Afterglow is one of my favorites from an Icelandic artist. (Bonus, the song “Stardust”, which is also incredible).

 

2. “Alien”from Manchester Orchestra – the official video is probably my favorite video of the year, and the song is one that stays with me after I hear it. Their new album A Black Mile to The Surface is my most listened to album of the year. Here is a live version of the track.

(The rest are in no specific order)

“On Hold” by The XX. I See You is another one of my favorite records of the year, and “On Hold” is also an incredible video. The XX also put on one of my favorite live performances of the year. Like the one above, I’ve already posted the video, so here is a live version.

“Run for Cover” by The Killers – we all know I love The Killers. This is my favorite track from Wonderful Wonderful and may be one of my top 5 favorites from The Killers. I’ve not posted the video before, so here we go:

“Do You Still Love Me?” by Ryan Adams – as someone who has been through a divorce, I know its a helluva a shitty drug. Adams’ split from Mandy Moore (swoon) has moved him to create some of his best songs yet, and his record Prisoner is evidence of that.

“Funeral” – Phoebe Bridgers

I’ve been enjoying what I’ve heard from Bridgers since I first heard “Georgia” a couple years ago. 2017 saw the release of her first record Stranger in the Alps. Bridgers writes some incredibly powerful songs. This one I cannot get out of my head.

“No Peace In Quiet” – Delta Rae

I have loved Delta Rae for a long time now. During 2017 I was fortunate enough to see them perform twice. They recently signed with a Country label, but their music still crosses all sorts of genre boundaries. This song is absolutely and heartbreakingly beautiful. The first time I heard it, I was sold. I cannot wait to see where they go in 2018.

 

“I can’t promise you anything”

September is always a busy month with both LouFest & Life Is Beautiful taking place. This year there were a few bands who were at both of these festivals (as typical). One of the bands who has stuck with me since I started listening to them before LouFest is LA based Mondo Cozmo. The band is the brainchild of Josh Ostrander who is not new to the music life having been in two previously signed bands. While touring, Mondo Cozmo includes a live band including former Imagine Dragons drummer Andrew Tolman. Prior to LouFest as I was listening to the bands who would be playing, I was struck by the honest lyrics and powerful songs. Hearing and seeing the songs performed at both Life Is Beautiful and LouFest exceeded expectations. After having watched a couple of the music videos that accompany the songs, I am even more enamored with Mondo Cozmo. I am excited to see them again in November for the Emerge Music + Impact conference.

My favorite song prior to LouFest is “Hold on To Me”. It can be found on the recently released Plastic Soul. This video is beautiful, and it hits close to home for me. I needed this song and this video.

“Shine” is raw and Josh Ostrander has an almost Bob Dylan quality in his voice during this song. I believe I heard the term “hippie jesus” used in reference to this song at Life Is Beautiful.

My favorite lyric from “Shine” is “My friends are so alone, it breaks my heart. My friends don’t understand we all are lost”. Pure poetry.

“Plastic Soul” is a song I will find myself humming and thinking about all day long. When I first heard it, I had swore I had heard it before. Maybe I had, but one thing is clear, the song sticks with me.

Mondo Cozmo is currently touring, and it seems like they will not be stopping any time soon. If you get the chance, check them out!

“You Can Count on Me to F*ck Up Everything”

If you have ever read a post by me on this fine blog, you will know I like folk music and I like sad music. What happens when you combine the best of both worlds? You get bands like England’s Bear’s Den. A dear friend of mine first told me about this trio due to our shared love of all things melancholy.

There have been 3 songs that I cannot get out of my head, so I keep them playing frequently.

The first song, “Auld Wives” is off their most recent release Red Earth & Pouring Rain. 

 

The first song I listened to from Bear’s Den was “Agape” from their first full length release Islands. This one is a little bit more folky, which is definitely what got me hooked. The word “agape” is a Greek/Christian word for love. The song may be about a person, but I like to think it is about the concept of love, especially with lyrics like this:

“So tell me how long, love, before you go, And leave me here on my own, I know that I don’t wanna know, Who I am without you”.

Finally, the third song from Bear’s Den that keeps sticking my head is “Elysium” which is also from Islands. The video has also taken on a life slightly independent of the band. You can read about the creation of the video here.

I quite like how this band uses their videos to make their songs something different. And we all know how I feel about music videos.